RSS Feed

Author Archives: fantasiesofpossibility

“Mrs Peel, we’re needed”: Passing for Human by Jody Scott (1986)

Passing for Human  was published in 1986  in  the Women’s Press science  fiction series.

This is a rollercoster  of a read, which   hits the road at speed  with  our  alien heroine   Benaroya racing down a Californian highway  in a stolen Mustang, outrunning the highway cops,  and engaging in a duel with another motorist which ends in her rival’s Lotus  crashing and exploding, “Metal, glass and bits of human flesh rained down for hundred yards in every direction.”

Benaroya  is an anthropologist, a member of the Rysemian race sent to Earth to assist in the construction of an intergalactic a rapid transit system. Their spaceship  is in orbit above the Earth.

Preparing for this expedition, the Rsyemians had obtained several hundred Earthie movies including “The Godfather,” “Marked Women,”, “Duck Soup” and “You Were Never Lovelier.” They had analyzed and studied these films meticulously. They observed that humanity was epitomized in such specimens as Jack Oakle, Ronald  Reagan, Rochelle Hudson and  Hattie McDaniel. The mannerisms and speech patterns, songs and dances of many celebrities  had been carefully memorized.  and since the Rysemains were telepaths and could awlays probe to find out what was expected, fitting in would be no problem.

The Rysemians, who are large  aquatic dolphin-like creatures,  are able  to  disguise themselves as “Earthies,” changing bodies as easily  as changing a dress. Benaroya thus  spends part of the novel  as Emma Peel from The Avengers (which is why Emma Peel appears on the cover).

They face an enemy,  Scaulzo,  who is planning to takeover the   Earth, a task  which  the Rysemians think will be easy for him. 

Large crude, stupid, barbaric  males with criminal tendencies are worshipped. Flattering movies about them are churned out by the hundreds. They  run government, busines, religion, sport and  crime, which are actually  all the same thing.

The action moves around the globe like a Bond m0vie as Benaroya ( now disguised as Virginia Woolf) and Scaulzo  move towards  their final confrontation.

Humour and satire  in science fiction is hard to get right (which is why Douglas Adams was a genius), but  for me this novel works.

 

Advertisements

You’ll believe a woman can fly…The Wanderground by Sally Miller Gearhart (1985)

The Wanderground  was published in Britain  in 1985  in the  Women’s  Press science  fiction series. 

Sally Miller Gearheart was born in 1931 in the Appalachians in Virginia, where she was raised by her grandmother, who owned a cinema.  She received an MA in Theatre and Rhetoric in 1953 and a Ph.D in theatre in 1956. Sally  taught in various colleges in Texas before establishing a women’s studies programme at San Francisco State University, one of the first in the USA.  She was very active in lesbian rights campaigns in the 1970s,  and in the successful  campaign to defeat Proposition 6 which, if passed,  would have barred lesbians  and gay men from teaching in schools.   The Wanderground was originally published by Persephone Press in 1979 in the USA.

The Wanderground is  not a single  narrative,  but a series of overlapping stories, mostly set in the  hills (the Wanderground) which lie at  some distance from an unnamed  city.  The stories introduce us to  a range of different women:  some women  appear in several  stories. The Wanderground is where women fled to several generations ago to escape the violence  and oppression of  men in the city. In the chapter “Pelagine Stretches”  we learn from  an older woman’s reflections on her past  history  that  women in the city who had asserted themselves  were suffering   a male backlash.  In a flashback Vivian tells her friend  Kate  about the stories she is hearing

‘Kate, they’re true. The stories are true. About how  thye’re hunting women, Swear to god. Sue and Sandy  saw them pick them one up. Put her in the wagon. And her doing nothing. Not a hooker. Doing nothing  I hear another story every day and oh, I got to tell you this Kate, I got to to tell you.’..’The men.  All of them was laughing about it yesterday. You know that singer, Gwen Aquarius, the libber? Well you know they took her down to the Hall. They booked her for defacing public property. Because of that midnight mural, on the H.E.W. building.And with attempted murder because she shot the policeman. Well, they could have locked her up for life but they let her go the guy was saying.  And this is true now, because she’s trying to sue the state: they let her go Kate but they cut out her tongue. They said that ought to be plenty punishment because they found out she was a lesbian  They got such laugh out of that. Them and their smut. I  couldn’t laugh Kate. I said  some things I shouldn’t have.!

Kate and other women flee  into the hills,   although they are hunted as they do so, one woman being snatched up in a net by a helicopter.  In The Remember Rooms more stories emerge  of the past, of how women  were labelled as witches, of how polygamy was reintroduced in some  states,  and  curfews and  dress codes  were imposed on women.

Women   became more and more divided.  All the freaky -looking ones were rounded up  – you know, those who wouldn’t wear  even long hippie-type  dresses, or those who didn’t comb their hair, the kind that would rather be with women than men, or the kind who gave their husbands any kind of hard time. God, it wa snightmare. Only the ones who looked and behaved like ladies had a chance…then the misfit women  began leaving the cities, heading off to  the hills, going towards rumours of  country women who lived off the land, isolated  and self-sufficient. Some found these women.  Others probably didn’t. All of them had to get away from police and state militias. All of them had to hide.

This dystopian vision of the  future  predates  Margaret Attwood’s better  known   novel, The Handmaid’s Tale  by some years. Both were  perhaps inspired  by observing the violent  reaction of some men to the assertivemess of the Women’s  Liberation Movement, and also perhaps by observing what happened in Iran after the Revolution when a narrow religious conservative orthodoxy was imposed on women who had previously behaved much as women  in the West had.  This is a video of protest by women in 1979 against the compulsory wearing of headscarfs.

Once in the hills the women change.  They are able to comunicate with each by thought alone,  which is known as “stretching”, they can also communicate with plants and animals.  The women seek live in harmony with nature,  embracing the notion of the earth as a mother.  A number of women  are developing more advanced powers, able to fly even. How this came about is not explained. There is a strong emphasis on woman-centred rituals, with poems and songs and stories at the centre of their lives. In the final chaper they sing:

To work as if the earth, the mother, can be saved.
To work as if our healing care were not too late.
Work to stay the slayer’s hand,
Helping him to change
Or helping him to die.
Work as if the earth, the mother, can be saved.

Reviews

The hill women have escaped from a nightmare vision of a modern city to build an alternative all women  community. Having abandoned techology, the women are so in touch with with nature that animals and even trees talk to them, but the spare simplicity of Gearhart’s prose ensures that this never becomes mawkish.

The women have created a rich culture with songs, ritual and their own language. Gearhart makes subtle use of existing mythology in a feminist interpretation of the Persephone stoty, and, wittily, has the women wordlessly  communicate Poe’s The Raven to their attendant crows.

Femininity is seen as culturally determined. Urban women  wear make-up and high-heels, but the Hill Women wear simple, functional clothes and pass as men when they infiltrate  the city. Yet in meetings with  “gentles” (men who conscioulsy repudiate sexism)  there are indications that it is the intrinsic maleness of men, rather than the socialised attributes of masculinity,  which prevent men and women living together. “Somehow men – even Gentles – found it difficult or impossible to really share power.” Nevertheles Gearhart avoids the simplistic equation: women=gentleness, men= aggression. The women  experience extremely violent feelings: “They were having visions of man-slaying,  of man-mangling.” But by opening themselves individually and collectively to negative as well as  positive emotions they achieve full humanity.

Fantasy  is an important means of prefiguring versions of a feminist future. If, like me, you find the books implicit assumption that all evil emaates  from men’s colonisation of women historically inadequate and have doubts about its blanket dismissal of technology, you may find compensation in this optimistic vision of women working, living and loving harmoniously together.

Pam Johnson, Spare Rib, August 1979.

Sally Miller Gearhart’s website can be found here.

 

 

 

 

 

 

Encounters of the seventh kind; “Queen of the States” by Josephine Saxton (1986)

Queen of the States  was published by the Women’s  Press in their science fiction series. Josephine was born in Halifax in 1935, and left school at the age of 15.  She began writing science fiction in the mid 1960s. Her early novels include The Hieros Gamos of Sam and An Smith (1969), Vector for Seven: The Weltanschaung of Mrs Amelia Mortimer and Friends  (1970) and Group Feast (1971).

This novel resembles  an origami paper  flexahedron that constantly changes in your hands. Just when you think you have got the hang of it, it changes shape again. Few  science  fiction novels begin with a quote from Immanuel Kant’s Critique of Pure Reason, which gives you  a strong hint  that this novel is not going to be space opera. It begins with a road, a car and a driver…

Magdalen Hayward drove the car along a narrow road at a steady forty-five miles an hour. The way became more difficult as she went higher, towards the moors. To her left there were some remarkable rock formations standing out against the evening sky and she decided to explore them. She enjoyed scrambling over rocks. She gained a sense of freedom from being high up in barren country, alone. It was marvellous not to have people restricting, telling her what to do or not…but she would not even think of that.

Magdalen’s moorland excursion doesn’t end in a tea shop, though,  but by  being kidnapped  by aliens. Nice aliens, though, who  are curious  about humans  – as this is their first encounter with our odd species –  and are happy to provide  Magdalen with fine wines and dining.  But then she wakes up in  Twelve Trees, a hospital  for people for mental health problems where she insists she is the Queen of America. Returning to her cosy room  in the alien  craft (they have provided marching carpets and wallpaper), the insect-sized aliens tell Magdalen  that her experiences are objectively true:

You have seven concentric selves, all interlocking, making forty-nine states of being, each with seven level of intensity and each in contact  with the forty-nine states plus contact with the origianl seven at all times and places, and a central consciousness which cas freely move about to any point in this network at any one time.

For the rest of the novel  we follow Magdalen  as she tumbles  from one state to another:  the alien craft; the hospital; the Royal Train crossing Dakota;  herself  as a child in a cot ; a souk in Morocco, a bar  in New York, a party with an attractive lover  provided by the aliens…

We also encounter her accident-prone husband, Clive, attempting to be unfaithful with bi-sexual Moira; nasty Nurse Gerhard, who steals hats from her patients ; Mrs Thornton, conjured up by the aliens to take tea with Magdalen; Dr Abel Murgatroyd, who sees a flying saucer and experiences ecstatic conversion to anti-psychiatry.

And then we meet violet-haired Miriam Goldsmith, married to unfaithful Clive,   who goes to see a psychiatrist  about the dreams she is having, “super-real” dreams in which she is another person called Magdalen:

She thinks things like”There must be a better state of being than this.” and then she sort of floats off into a different if not better  sate of being…She goes elsewhere. Not escaping , just like trying on new clothes. She’s very strong , she’s very good, centrally, I  mean, very. Full of love, but quite often gets herself  ripped off , gets things tolen from her – not objects: acts, feelings, energy… She’s quite crazy at times, believes weird things. Like being Queen of America…

At the end of the novels the aliens  send Magdalen back to Earth,  and she sets off a journey away from her past and into tbe future…

So there we are, a kaleidoscope of a novel that seems to be influenced by R D Laing‘s anti-psychaiatric thinking. Although   aliens pop  up, they are just a MacGuffiin,  this is a novel about inner space,   not outer space. I am not  even sure that is really science fiction, but Magdalen (or possibly Miriam) is a likeable companion  for the length of the novel and I would be happy to read more of Jospehine’s work.

By the way, did I mention  Rupert Bear makes some cameo appearances?

 

 

Fight the power (drain): The Watcher by Jane Palmer

The Watcher was Jane Palmer’s second original novel for the Women’s  Press science fiction series. In a previous post I looked at her first novel, The Planet Dweller.

Opu looked down at the chattering  bundle of  uncoordinated wings, arms and legs, tumbling  about the floor beneath everyon’e feet, and wondered what pitch of evolution she was likely to represent. Her child has just managed to escape  for the fifth time from the play-pen that was supposed to be child-proof, and was about to bite the leg of another of the  control room staff  in in discovery of the different things a beak could be used for.

Opu is a working mother, juggling her important  job in energy with childcare, fretting about her growing  offspring Opuna, whose behaviour she discusses with her partner, Anapa.   Opu is a member of the Ojalie, a hermaphrodite winged race who depend upon capturing  the energy  from their second sun for power and sustenenance, and she  is a controller,  regulating the power around their planet through numerous stations.

The Ojalie’s orderly life is disprupted by the appearance of a Sun  Dancer which sucks the power from their stations, threatening the survival  of their planet. They trace the Sun Dancer back to an obscure planet, Perimeter 84926,  and dispatch an android called the Kybion to track it down.

Fast forward (or possibly fast backwards, I am not too clear about this)  to  the English coast in the C19th when a group of shipwrecked  passengers encounter the Kybion in  a cave. At first  it wants  to kill them,  but then oddly  is persuaded to let them live, in fact to go one better, to extend their life by slowing down the ageing process.

Then we go forward (I am sure about this  at least ) to the 1980s when a young Asian woman, Gabrielle,  goes to stay on her  own in her aunt’s  remote cottage on the coast. She encounters a stranger, Wendle, who reveals  that he is 127, and she becomes involved  in an  increasingly complex series of events involving Wendle  (young and old),   a  young black policeman called Weatherby  masquerading as a butler. somebody nasty called Gunn, telepathic communication, spirits,   a watery planet called  Taigal Rex, and much else. In time we discover who the Star Dancer is, and who  is the Watcher  of the novel’s title.

Overall I  found this an unsatisactaotory novel:   there are flashes of charm and invention,  but much that seems clunky and maladroit and too many  McGuffins to solve knots in the plot. I do love the cover, though.

When a planet falls in love…The Planet Dweller by Jane Palmer (1985)

This  was Jane Palmer’s first novel,  published  in  the  pioneering  Women’s  Press  science fiction series.  It   begins, probably uniquely in the realm of science fiction writing, with a woman discussing her menopause with a male doctor. Diana is asking about Hormone Replacement   Therapy, but he  advises her  against this.  “I’ve heard of of women  losing their fingernails and others being stuck with headaches for weeks – and do you really want to go on having periods until you are past seventy?’

Diana riposts tartly:

‘I’ve already  worn my finger-nails away by climbing up the wall and give my daughter regular headaches by screaming at every animate and  inanimate a thing that gets in my way… And will not live to be seventy if I carry on at this rate.’

Diana is a single mother, has a seven (and a half) year old daughter,  and works in an open air museum of architecture where she take parties of  bored school  children on tours of their iron-age huts.  At night she hears (or thinks she hears) a voice which says, “Moosevan”… “Moosevan”….

She has  an  elderly Russian neighbour, Yuri,  who  spends his time drinking gin  to excess, observing the asteroids,  and making arcane  calculations about their orbits.  Then there is Diana’s  friend Eva, a scientist who work at a huge radio telescope right  next door to the open-air museum,  (I love this juxtapostion  of ancient  and modern). Eva calls Diana  “Mog” , by the way.We never find out why.

Yuri becomes convinced that someone is moving some asteroids to different positions,  which if completed,  will  turn into a new planet and destroy the Earth. Nobody is  paying  him any attention, but he’s right,  of course. It’s part of a plan by  a planet dweller, Moosevan,  to create a new home for herself, unaware that the Earth is inhabited.  Moosevan is being threatened by a thoroughly nasty alien The Mott (we know he is nasty because he has big ears and big teeth),  who wants to evict Moosevan  and colonise her planet. Mott is being aided by renegage Olmuke genius Kulp and his two hapless sidekicks,  Jannu and Tolt.

It had been difficult  for the Mott to accept that the rest of of the galaxy did not love their empirebuilding species, especially as they hasd bestowed  such benefits as advice and bombs in exchange  for their freedom…

Opposing the Mott are two ancient beings who have taken  temporary forms  as Torrans (complete with tails) and temporary names,  Dax and Reniola.

Back on earth  Yuri enters a dazzling portal which  has popped up in the middle of a fairy ring,   and finds himself on Moosevan’s planet.  She tells him:

‘I am old…’ Moosevan tried to rationalise. ‘I am. ..Your touch pleases me…’ she added as that was the most dominant thought in her mind.

  ‘How old?’

‘I must be half as old as this galaxy’.

Yuri looked up again at the sky scattered with the debris of so many stars. Normally he would not have have sniffed  at a show of affection coming from a mature woman, but one ninety thousand million years was in his opinion taking things to far.

I won’t go any further into the details of the plot,  except to say that by the end of the book everything is resolved satisfactorily.

The shadow  of Douglas Adams’ Hitchhikers Guide to the Universe surely  looms large over this attempt by Jane  to write a comic science  fiction novel.  Adams succeeded brilliantly,  so much so that Hitchhikers,  like the Goon Show,  is now part of  the mental furniture of anyone interested in surreal comedy. Adams was a genius  and made his writing  look easy, but it’s not, of course.   For me this  novel only partly works, but I still enjoyed it.

The wonderful front cover illustration of the novel  is by Jane herself. She has written  a number  of other science fiction novels,  including The Watcher (1986)  and Moving Moosevan (1990), both also published by Women’s Press, Babel’s Basement (2010) and Duckbill’s Soup (2011), another in the Moosevan series.

“What dreams may come…”:The Lathe of Heaven by Ursula Le Guin (1971)

In a previous post I looked at  Ursula’s Le Guin’s The Word for World is Forest. In this post I  want to look at  her novel The Lathe of Heaven (1971).

Falling into “a dreamless sleep” is a cliche beloved of romantic novelists as they depict the travails of their heroine/hero as she/he slumps exhausted onto their four posted  feather bed. In fact,  we all dream every night,   as our unconscious churns over our day, our fears and desires,  and much else besides.  And when we awake our dreams usually vanish, like early  morning mist under the  rays of the  rising sun. Usually.

George Orr dreams. George is an ordinary man, who does an ordinary job, lives in an ordinary shabby flat in an ordinary city (Portland) in an America some decades ahead of  when the novel was published  (which  in a time paradox means it is now  in our past as readers). There is  just one extraordinary thing you need to know about George: when he dreams the dreams can  come true.

Doctor William  Haber dreams. He dreams of  a more prestigious job, of  a more impressive set of   offices, of a better world for humanity. Don’t we all?  George is sent to Haber, a sleep specialist, after the authorities discover  he  has been illegally obtaining drugs to suppress his dreams. George reluctantly reveals to Haber  that when he was 17 he dreamt that his aunt Ethel, who had been making unwanted sexual advances to him,  had been killed:

“I had this dream. A very vivid one. I could recall it completely when I woke up. I dreamed that Ethel had been killed in a car crash in Los Angeles, and the telegram hadcome. My mother was crying while she was trying to cook dinner, and I felt sorry for her, and kept wishing I could do something for her, but I didn’t know what to do. That was all. … Only when I got up, I went into the living room. No Ethel on the couch. There wasn’t anybody else in the apartment, just my parents and me. She wasn’t there. She never had been there. I didn’t have to ask. I remembered. I knew that Aunt Ethel had been killed in a crash on a Los Angeles freeway six weeks ago, coming home after seeing a lawyer about getting a divorce. We had got the news by telegram. The whole dream was just sort of reliving something like what had actually happened. Only it hadn’t happened. Until the dream. I mean, I also knew that she’d been living with us, sleeping on the couch in the living room, until last night.”

Of course Haber doesn’t  believe  George,  but is  eventually convinced when he witnesses the changes  for himself. Using hypnotism and  an electronic device called the Accelerator (a dream machine, if you like) he takes control of George’s dreaming, ordering  him what to dream. And the dreams come true. At first Haber makes   small changes in the world around them –  a new flat for George, a research institute for himself  – but then he he grows more ambitious, instructing  George to make  drastic  changes in the wider world . But the Law of Unintended Consequences makes itself known,   and the results are not what Haber envisaged.

Distressed, George  seeks help  from a lawyer, the steely Heather Lelache. She  accompanies him  to a dream session at which  Haber instructs George : “You’re going to have a dream in which you feel uncrowded, unsqueezed. You’ll dream about all the elbow room there is in the world, all the freedom you have to move around.”

Heather feels the change at the moment it happens:

“The woman felt it too. She looked frightened. Holding the heavy brass necklace up close to her throat like a talisman, she was staring in dismay, shock, terror, out the window at the view. He had not expected that. He had thought that only he could be aware of the
change. But she had heard him tell Orr what to dream; she had stood beside the dreamer; she was there at the center, like him. And like him had turned to look out the window at the vanishing towers fade like a dream, leave not a wrack behind, the
insubstantial miles of suburb dissolving like smoke on the wind, the city of Portland, which had had a population of a million people before the Plague Years but had only about a hundred thousand these days of the Recovery, a mess and jumble like all American cities, but unified by its hills and its misty, seven-bridged river, the old forty-story First National Bank building dominating the downtown
skyline, and far beyond, above it all, the serene and pale mountains.”

George  has dreamt of a Plague which has  killed billions of people.  He is appalled,  but unable to stop Haber from  misusing his dreams. Still, Haber is not a power-hungry monster, as George admits to himself:

…he’s not a mad scientist, Orr thought dully, he’s a pretty sane one, or he was. It’s the chance of power that my dreams give him that twists him around. He keeps acting a part, and this gives him such an awfully big part to play. So that now he’s using even his science as a means, not an end. . . . But his ends are good, aren’t they? He wants to improve life for humanity. Is that wrong?
Finally Haber himself enters the dream world,  and George,  faced with the loss  of Heather (now his wife) and his whole world , is forced to act.
The theme of novel  is that the best of intentions can lead to  the worst of outcomes. I am reminded of one of  those tales of Arabia in whch someone is granted three wishes by a djinn,  but things don’t go well.  I very much enjoyed this novel and  thoroughly recommend it.
The Lathe of Heaven was made into a television movie in 1980 by WNET. The film starred   Bruce Davison as  George Orr,   Kevin Conway as Dr Haber, and Margaret Avery  as Heather Lelache. You can watch the film here. The two photographs ab0ve are taken fron this production.
You can watch  an interview here  with Ursula in which she discusses the film and the novel.  and  you can read the novel online here.

Finally,   Ursula took the title of the novel  from from the writings of Chuang Tzu,

“To let understanding stop at what cannot be understood is a high attainment. Those who cannot do it will be destroyed on the  lathe  of heaven.”

:

 

 

 

 

 

 

 

Fallen Angel…? Occupy Me by Tricia Sullivan (2016)

Occupy Me is  a dazzling intellectual  tour de force science  fiction novel  which   keeps you reading , even when (as I   often was ) you are not entirely sure what is going.   So what it’s about?  Well,  there is a suitcase which  is not really a suitcase;   an organisation called the Resistance which  may or may not exist ; a stewardess called Pearl who is not  really  a stewardess, nor is her name really Pearl; a doctor from Nigeria  called Kisi  Sorle who  is  sometimes himself and sometimes someone else; a millionaire about to die called Austen Stevens; a  pterosaur, a Quetxcoatlus ;  a  double fridge; some eggs, a giant frog (dead); two big dogs (alive),  and  a vet called Alison who is  indeed called Alison  and is indeed a vet.   The action takes  place in the USA,   on an airplane, in mid-air, in Edinburgh, in Paris, in Scandinavia, in a scrapyard,  in   a  Cretaceous era rainforest and in a library, to name a few. To know  the rest you will simply have to read it.  Highly recommended and I am look forward to reading her other novels.